Putting Time in Perspective


Want to have your mind blown? Take several minutes and check out the graphs here:

Putting Time in Perspective

Each one shows a period of time, then "zooms out" to look at another period. It goes from one day all the way up to the birth and death of the universe (as it's commonly understood now).

All those very important events, inventions, ideas are just the most recent moments in our very long history. So, you know, you might want to allow for the possibility you might be wrong about something. It wasn't that long ago our ancestors thought they knew what was going on--even though they couldn't speak or make fire. (And not too far before that their ancestors were first poisoning the atmosphere with oxygen through photosynthesis).

Enjoy!

Songwriting


I've just completed an online course in Songwriting. It was fantastic. Like all good classes, the material expands to apply to much more than just songs. The instructor spotlighted lots of concepts that translate well to fiction writing--ratcheting up the drama through instability, rhythm of language, the three act structure (as three verses in this case), and much more. The instructor was Pat Pattison from Berklee College of Music and he started off--BOOM--with Aristotle! How can classic Greek ideas on art not be helpful to those struggling to create it in the Twenty-First Century?

Aristotle - Art Analyst
The idea Mr. Pattison hit us with, and which hung around the course start to finish, was that of unity. Everything must work together to serve the purpose of the work. In songwriting, lyrics, point of view, rhyme scheme, verse-chorus structure, melody, chords--everything must work together toward common purpose. In writing, you could make a similar list--characters, plot, theme. In fact, all three of those belong in songwriting too. There are many areas of overlap.

One of the coolest things Pat Pattison talked about was the idea that all art--including fiction writing and songwriting--employs techniques of creating tension and resolution. In songs, you expect something to rhyme, or a melodic phrase to resolve, and when it doesn't it creates a certain amount of drama. Stretch that out to the perfect length, where the tension is ratcheted up to the point of breaking, and then offer your resolution as relief... that is the ultimate goal of a scene or a song or a book. There are a million ways to do it (and a million ways to screw it up) and taking the songwriting course, I hope, has opened my eyes to a few new tools to use in my own work. It certainly has me listening to some familiar songs in a brand new way.

Anyway, I highly recommend expanding your horizons with a FREE online course. I've done three from coursera.org (sadly only completing two--my first was a bold attempt to jump into statistics and R programming without the proper prerequisites). It's like going to college for free. Also, you don't need to be college age to do it. You can be older or younger. The course description will tell you what prerequisites you need, but mostly you just need a computer, an internet connection, and a desire to learn.

All Coursera courses are free, including the ones taught by Berklee instructors. Berklee has its own online school, though the courses there cost money. If you google MOOC, you'll find other free courses from top universities. I love living in the future.

Heavy Stuff

2012 was a crazy year. Crazy is the wrong word. Wild is the wrong word. Lots of momentous change. Since almost none of it was about writing (beyond the fact that everything has a way of showing up in the writing), I won't create a list here. The world continues to turn and let's just leave it at that.

Comet Jack #2 is chugging along steadily. More than that, as the story emerges so does the story of the full trilogy. (There may be books beyond #3, but these first three will definitely be a set.) My challenge as I'm writing is to make sure #2 is a complete story on its own, even while setting the stage for an even bigger payoff with #3. I'm really digging the big picture, and with luck I'll pull this all off.

I'm juggling a lot of things here, but it feels more right to keep many balls in the air rather than dumb it down with an easier story: Jack's getting older, facing new challenges for which there are no easy answers, and the plot and themes are getting more complex too. Here are just a few things that are sneaking into the story: slavery and freedom and grayer variations thereof, the control of information and how that relates to the control of people, when you should keep a secret (if ever), what to do when you don't know what the right thing to do is, when (if ever) is it okay to decide what is right for someone else. Heavy stuff.

There's also dating. And any 12-year-old (or 13-year-old or 14-year-old or 11-year-old or 20-year-old) can tell you, that is heavy stuff too.

Stay tuned.

Comet Jack gets an Epilogue

So, HarperCollins is currently accepting unsolicited manuscripts for its science fiction and fantasy imprint, Voyager. If you have a 70,000+ word novel ready to publish, you may want to send it to them. You'll want to act fast, since there is only a two week window. Details here.

They were pretty specific about their word count, and seemed to have no exception for YA books, so to give Comet Jack the best chance at being accepted I had to make sure it was at least 70,000 words. I wouldn't want it to get booted out automatically because it measured only 69,000 and change (not including acknowledgements, etc).

So I wrote an Epilogue!

This was the perfect time to do just that, since I'm working on Comet Jack 2. The Epilogue is the bridge and teaser between the two books. It gives readers of Comet Jack a little more information about the Comet Corps while at the same time giving them a reason to salivate in anticipation of the next book.

Early readers of the Epilogue love it, and, while biased, I'm really pleased with it too.

If you've read Comet Jack, don't worry. You'll get the Epilogue. Look here for more information shortly. I'm figuring out whether it would be best to make it available here or at Amazon and B&N. Wherever it will be, the Epilogue will be FREE. I'm also adding it to future versions of Comet Jack sold on Amazon and Barnes & Noble.

Wish me luck with HarperCollins. Wouldn't it be cool if Comet Jack (and its sequels and other books!) got a chance to get in front of even more eyes?

Comet Jack 2 update

Yes, I'm working on it. No, it's not done. Yes, I really should have more completed by now. The summer got away from me.

What can I tell you? Just a bit. I don't want to give too much away. Also, I find if I tell the story too much before I write it, then it's not as fresh coming out of the pen (well, out of the fingertips into Scrivener, but let's not split hairs).

Ink Sketch of Jack checking out his underwater body.
In the second book, Jack finds himself on an ocean world, among a sentient water-dwelling species who look at things a little differently than humans do. The action starts at the end of the school year, right before summer vacation. A new tension has built up between Jack and his nemesis, Dirt, and that tension's name is Jennifer Mitchell.

Oh, and there's something else going on Earthside: things are coming this way through the window.

But that's all I'm going to say for now.

Back to work.



Admirable Pursuit

I just submitted my YA SF novel to Strange Chemistry, the YA division of Angry Robot books. Angry Robot rules. Among other things, they just released Blackbirds by Chuck Wendig, a colorful and talented writer who also generously shares hilarious, NSFW, spot-on advice perfect for writers (like me!) who are trying to navigate publishing and improve our craft.

My novel Admirable Pursuit is for older readers--teens and up. I actually started it well before Comet Jack but finished it after. When I heard (via @ChuckWendig on twitter) that Strange Chemistry, the YA arm of Angry Robot, was running an Open Door, calling for unagented, unpublished, completed YA SF novels, naturally I jumped.

I had to jump. I heard about it with just four days left in the 2-week submission window (which ends today, April 30th).

As part of the submission process, Strange Chemistry asked for a one-sentence summary of the book. Admirable Pursuit is almost twice as long as Comet Jack. It is told through multiple points of view using short, punchy, action-filled chapters, with an interwoven twisty-turny plot set on two planets and a starship, against a backdrop of ultra-capitalist distopia/utopia (depends on your tax bracket). So, yeah, I couldn't imagine boiling it down to one sentence.

The elevator pitch might be: Indiana Jones meets Dune by way of Blade Runner... for teens!

Those of you pulling for me will be encouraged to know that's not what I put in the submission. After much hemming, hawing, and eyebrow pulling, here's how I boiled it down:

Admirable Pursuit in one sentence:
Wendy Veritage, the teenage heir to her Family's fortune, runs away to carve her own path in a future world of haves and have-nots, and ends up in the middle of a battle for humanity's future on a far away planet where a mysterious power allows people to experience their full potential.

Does that sound like something you might be interested in?

Strange Chemistry will let me know.


Pepperjane Gingersnap lives!

Pepperjane Gingersnap is alive, thanks to the incomparable Jill Thompson!

Check out Jill's absolutely stunning first painting of Pepperjane Gingersnap:


It would not be an exaggeration to say this illustration was created by the "World Famous Jill Thompson." Or "World Famous multiple-Eisner Award-winning Jill Thompson." Here are just a few highlights from her extensive and impressive artistic resumé: creator of Scary Godmother, creator of Magic Trixie, illustrator of countless comics (check out this upcoming Archie cover, for "Occupy Riverdale"). She's worked with Neil Gaiman on Sandman, then created her own successful Endless characters and stories. Last year, the National Cartoonists Society honored her with its prestigious Reuben Award for Beasts of Burden. Jill is the first woman to win a Reuben in the Comic Book category in the Society's 75 year history (that's a mind-blowing statistic right there). The list of her accomplishments goes on and on.

I'm lucky enough to know her (and her also World Famous multiple-Eisner Award-winning husband, Brian Azzarello) from a long-running dinner club where we take turns hosting and cooking 4-course meals. Yes, there appears to be a correlation between creative artists and excellent cooks. That's a different story though.


Jill has really nailed the character here, including many important quirky details. While I'm not sure Jill intended this particular illustration to make it into the book, it's so good that I'm already thinking we can use it somewhere, possibly on the back cover of the printed version. (And of course Jill gave me permission to post this here. Thanks, Jill!)

Needless to say this is all big, big news for Pepperjane Gingersnap.

"Who is Pepperjane Gingersnap?" some of you might be asking. Short answer: A capable adventurer and star of my (and now my and Jill's!) upcoming chapter book. Stay tuned for more details.

(You can follow Jill on Twitter.)